Named "The Mother of Performance Art", Marina Abramovic(hereinafter referred to as Marina) has created a large number of performance works of art with a strange, crazy, free and unique style, of which the "Rhythm" series is one of his most representative works. Marina's performance art is the art of the body, which has a very subtle connection with the dance art with the body as the medium, so this article focuses on Marina's performance art from the perspective of dance art, taking the fundamental common "body" of the two as a logical starting point to explore the dance in Marina's performance art. From the perspective of structure, the body can be divided into two parts: external form and internal mechanism, so the dance is placed in the context of the body, which often has dual attributes, emphasizing the relationship between "body" and "external material form" and "internal performance".
      Deeply interpret the commonality and personality of Marina's performance art and dance art, and its significance: One is to explore the connection between the sub-disciplines of contemporary art from the perspective of the body. The second is to excavate the characteristics of the contemporary era behind it from the act of alienation. The third is to diversify its creative inspiration for contemporary dance horizontally.