中文题名: | 建构至臻的人性维度--浅谈纪录片创作中人文关怀的把握 |
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学科代码: | 135105 |
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学生类型: | 硕士 |
学位: | 艺术硕士 |
学位年度: | 2011 |
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研究方向: | 纪录片 |
第一导师姓名: | |
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提交日期: | 2012-01-10 |
答辩日期: | 2011-12-10 |
中文摘要: |
近年来,中国的纪录片呈现出了创作观念先进、表现形态多样化、创作手法更为开放以及观照对象更为广泛的蓬勃发展的态势。注释历史、记录现在、启迪未来的纪录片,以它大众化的平民视角,去挖掘平凡生活中的情感,真实反映了客观世界中人的生活和人的思想,揭示社会的发展现状,深入人的内心世界。通过纪录片人的共同努力,纪录片的艺术魅力和社会影响力在多种传播媒介中,起到了不可小觑的作用。对于人的关照也成为了时下纪录片表达的精神内涵,人文关怀的精神内涵也在很多纪录片中得以充分展现。本文就以对人文关怀精神的诠释为前提,针对纪录片内涵中的人文关怀以及在纪录片创作艺术表现中如何把握人文关怀精神,结合经典纪录片的赏析,通过根据本人在纪录片作品《远山•溢香》的实践体会,总结出几点纪录片创作中表达人文关怀内涵的方法和要求。第一,作为纪录片的创作主体,自身对人文关怀精神的领悟和理解,是人文关怀精神表达的前提条件。只有有着深厚文化素养、较高的艺术修养和对观照对象浓厚的情感的创作主体,在创作中才能用一颗炙热的心去领悟和体会观照对象,在艺术表达中去表现人文关怀的情愫。第二,在创作的选题时,要用一种符合大众视角的平民态度,去甄别淹没在大众普通生活中不平庸的人和事,这样的选题才是生动的,才会符合观众的欣赏角度和接收习惯。那些主题先行的“高大全”塑造,是违背人文关怀精神内涵的。第三,要以平等、自由、尊重的态度和拍摄对象进行采访交流,不能违背客观的原则,也不能去干预拍摄对象的生活,同时要维护法律和道德的底线。第四,在艺术表现手法上,创作者不能一味追求艺术的审美价值,还要考虑到受众的接收效果与习惯,这也是符合人文主义关怀精神内涵所要求的。作为记录片创作者,只有怀着一份观照生命的人文主义精神去创作,才能使纪录片更加艺术化,也更具有注释历史、记录现在、启迪未来的社会意义。
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外文摘要: |
In recent years, China’s documentaries developed vigorously, such as advanced creation notion, diverse representation forms, open manner of creation and extensive contemplation objects. By annotating history, recording present and awakening future, the documentaries dig into the emotion under ordinary life from the mass perspective, turely reflect people’s life and thought in an objective world, reveal the status of social development and penetrate into one’s inner world. With the efforts of all documentary creators, its artistic charm and social impact plays an underestimate role among various communication media. As humanistic concern has become spiritual connotation of documentaries currently, it is fully exhibited. On the premise of interpreting the spirit of humanistic concern and aiming at the humanistic concern in documentaries and its manifestation mode, this paper summarizes the approaches and requirements for expressing the connotation of humanistic concern in documentaries through the appreciation of classic documentaries as well as the practical experiences on Far Mountains – Fragrancy. Firstly, as the main body of documentary creation, the creator’s understanding and comprehension on the spirit of humanistic concern is the precondition for expression. Only the creator with deep cultural literacy, higher artistic culture and deep emotion on contemplation objects can understand them with warm heart, so s to express the sincere feeling on humanistic concern in documentary.Secondly, for choosing a subject, the creator shall distinguish the extraordinary people and events from ordinary life with civilian attitude, which may be vivid and complying with audiences’ appreciation angle and receiving habit. While the tall, big and perfect model with Theme First goes against the connotation of humanistic concern.Thirdly, the subjects shall be interviewed and communicated equally, freely and respectfully, without violating the objective principle or interfering with their life. Besides, the law and moral bottom line shall also be maintained.Lastly, in regard to artistic expression, the creator cannot only pursue the aesthetic value blindly, instead, the audiences’ receiving result and habit shall also be considered, which is required for meeting the spiritual connotation of humanistic concern.As a documentary creator, the humanistic spirit is necessary for creating a more artistic documentary, with the social significance of annotating history, recording present and awakening future.
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参考文献总数: | 11 |
馆藏号: | 硕550105/1122 |
开放日期: | 2012-01-10 |