从1999年至今，王朔的创作风格开始产生变化，这期间所创作的四部小说《看上去很美》、《我的千岁寒》、《致女儿书》和《和我们女儿的谈话》似乎没有在文坛上引起多大的反响，本文从这四部作品中看出王朔创作风格的转变以及作者创作意图和文学构思的转变。在王朔的前期作品中，大部分的主人公都是社会上那些颓废的、玩世不恭的小人物，作者调侃着世间的一切，用恶作剧的方法来调侃大众的人生价值的虚伪。近年来王朔的创作风格开始转变，这里的王朔已经不是以前的那个“痞子文学”的王朔了，在这些作品中，他找到了新的语言方式和新的创作叙事方式，作者希望通过对自己的挑战和改变来得到读者的认同，曾经以“顽主”形象出现的王朔，在这里变成了一个哲人，以一个智者的形象出现在读者的面前。 本文从语言、叙事风格以及作品影响力等方面对王朔近十年来的主要作品进行分析，并从历史和社会原因层面分析王朔近十年创作所面临的困境和挑战，关注王朔近十年作品的创作思想变化及其主要特征。接下来本文的重点是通过与其前期创作的对比分析，得出王朔近十年创作思想的主要变化。最终，分析王朔近十年小说影响力降低的原因，同时提出作者自身所面临的创作选择的困境。

From 1999 until now, Wang shuo’s creative style began to change, during this period, the four novels "Could be beautiful", "My Millennium", "A book to a daughter " and " Conversations with our daughters＂, in the literary world, it seems to have caused not enough public attention. This article discussed the creative style changes from four films and the purpose of writing and literature conceptions’ changes. In his former works, the leading characters were someone that were decadent and cynicism, the writer made fun of everything in the world. By using mischief, he tried to mock up the value of hypocrisy in mass life. However in recent years, his creative style began to change, and the writer here is no longer the one who was called ＂punk literature". Among these works, he found a new style of expression and another method of describing, the author hoped that he could have the identification from the readers through the challenges and changes to him. Once as appearing with the image of ＂Wan Zhu＂, Wang had become to a philosopher or a wise man when he stood in front of readers. This article analyzed his works of nearly 10 years from the angles of language, the style of narration and the influence of all these works. Meanwhile with the reasons of the society and the history, it is necessary for us to realize the difficulties and challenges that Wang shuo had faced, and then pay attention to the creation of Wang’s works and its major characteristics of his ideological change. Then this paper regard the comparison through his early works as the major point, and tread the major changes in creations of Wang shuo as a conclusion. Eventually, analyzing the causes of his falling influence among his novels in the decade and putting forward the difficulties in his own creative choices are the theme of this paper.