《秋颂》是英国诗人济慈在中国译介最多的诗歌之一，但在国内却少有学者对《秋颂》的中译本进行系统性的研究。本研究选取了三个具有代表性的《秋颂》译本，即朱湘、查良铮和屠岸三位译者的译本作为研究对象，通过文献梳理和对比研究，旨在归纳三个译本的特征并探究译文特点的成因。

本文绪论，阐述济慈的诗歌创作历程及《秋颂》在其中的位置和影响，对《秋颂》的诗歌批评研究、中译历史与译本研究做出梳理，并说明该论文研究方法、创新点和意义；主体部分共四节，分别对三个译本的语言、诗体格式、文化意蕴和意境营造及个性化翻译做出比较研究，探究译本特点；结语对三个译本各自的特点做出总结。

“To autumn” is one of the most widely translated poems of English poet John Keats in China. This study selects three representative versions translated by Zhu Xiang, Zha Liangzheng and Tu’an, as research objects. Through literature review and comparative study, the purpose of this study is to summarize the characteristics of the three translations and explore the causes of their characteristics.

The introduction of this paper expounds Keats’s poetry creation process and the position and influence of “To autumn”, sorts out the research on its poem criticism, Chinese translation history and translation studies, and explains the research method, innovation and significance of this paper. The main part consists of four sections, which respectively make a comparative study on the language, poetic style, cultural connotation and artistic conception construction, personalized translation of the three versions, and explore the characteristics of the different versions. The conclusion summarizes the characteristics of the three translations.