元代杭州辖域内的运河，主要包括大运河南段上塘河与北关运河，以及相连的杭州城区内运河如清湖河、市河、盐桥运河等河流。元代杭州运河诗指的是元代诗人以杭州运河或相关支流，或与杭州运河相关的基础设施、社会风貌、风土人情为书写对象的诗歌。本文将以搜集到的一百一十八首诗歌文本为中心，以中国本土文学地理学和空间理论为理论支撑，分析元代杭州运河诗中元代杭州运河空间的文学面貌、以杭州运河景观为切入点分析元代杭州运河诗中的地方记忆、以舟船空间与文学创作之间的关系为视角分析元代杭州运河诗的创作语境。

本文第一章以诗歌文本为基础，分析元代杭州运河自然人文空间的文学面貌。元代杭州运河自然人文空间由两个部分构成：运河流域中的基础设施与流动的运河本身。运河流域中的基础设施能够给予诗人文学交流的场所，而在运河流域所创作的沿途纪行诗中，这些基础设施能够激发诗人旅途中浮动的心绪与创作欲望。元诗中的杭州运河书写与山水书写一脉相承，但因为运河所具有的人文属性，元代杭州运河的文学形象中具有更多人类活动的内容，与自然形成的河流钱塘江相比，杭州运河的文学形象更加平缓与闲远。

本文第二章通过杭州运河景观的视角分析元代杭州运河诗中的地方记忆。首先以临平湖相关景观为切入点，分析元代杭州运河诗中的地方记忆。临平湖景观在南宋之前历代诗人的书写中逐渐具有了丰富的文学内涵，成为独特的地理意象，其意象化的过程体现了杭州地区文人的地域认同，其内涵为元代杭州运河诗书写运河景观时继承与发展。除此之外，宋元时杭州所经历的社会大变革中，发生在运河景观空间之内的历史事件也为其增添了公共历史记忆。元代杭州运河诗中公共历史记忆也随着运河景观的建设而改变。

本文第三章以舟船空间与文学创作之间的关系为视角、以纪行诗为例分析元代杭州运河诗的创作语境。舟船的形制与航行状况予诗人物理层面的激荡，与诗人“同舟共济”的以船夫为代表的底层百姓的身世遭遇与生活状态给诗人带来心理层面的感伤，引发诗人对自身现实处境的认识和思考。当元代诗人乘扁舟在杭州运河之上航行时，诗人自身与舟船化为一体，并以“扁舟”自喻，以抒发对杭州运河自然环境的感受并借之传达自己的人生态度。“扁舟”喻体意义的不同体现了诗人创作心态的不同。

The scope of Hangzhou Canal in the Yuan Dynasty was the canal within the jurisdiction of Hangzhou in the Yuan Dynasty，mainly including the Shangtang River and Beiguan Canal in the southern section of the Grand Canal，as well as the connected canals in the urban area of Hangzhou， such as Qinghu River， City River， and Yanqiao Canal. The poetry of Hangzhou Canal in the Yuan Dynasty is based on the concept of Hangzhou Canal in the Yuan Dynasty. It refers to the poetry written by the Yuan Dynasty poets with the canal or related tributaries，or the infrastructure， social features and local customs related to the canal.

 This paper will collect the one hundred and eight poetry text as the center， with Chinese literature geography and space theory，the analysis of Hangzhou canal poetry，Hangzhou canal space literary landscape，in the Hangzhou canal landscape analysis of Hangzhou canal poetry of local memory，to the relationship between the boat space and literary creation as the perspective of the analysis of Hangzhou canal poetry poet creation context.

 The first chapter of this paper analyzes the literary features of the Hangzhou Canal natural and cultural space in the Yuan Dynasty. The natural and cultural space of Hangzhou Canal in the Yuan Dynasty consisted of three parts: the people living in the canal basin，the infrastructure (bridge，weir dam and water post) in the canal basin，and the flowing Hangzhou Canal itself in the Yuan Dynasty. The infrastructure in the canal basin gives the poet the place of literary communication，and in the poems，which inspires the mood and creative desire of the poet. The writing of the Hangzhou Canal in the Yuan Dynasty was in line with the writing of landscape poems. However，due to the humanistic attributes of the canal，the literary image of the Hangzhou Canal in the Yuan Dynasty had more human activities. Compared with the natural Qiantang River，the literary image of the Hangzhou Canal was more gentle and distant.

 In the second chapter of this paper，the local memory in the Hangzhou canal poetry of the Yuan Dynasty is analyzed through the perspective of the Hangzhou canal landscape. First，take the relevant landscape of Pinghu Lake as the entry point to analyze the local memory of Hangzhou Canal poetry in the Yuan Dynasty. The landscape of Linhu Lake gradually has rich literary connotation in the writing of poets before the Southern Song Dynasty and became a unique geographical image. The process of its imagery reflects the regional identity of the literati in Hangzhou，and its connotation is the inheritance and development of Hangzhou canal poetry in the Yuan Dynasty when writing Hangzhou canal landscape. In addition，the historical events in the canal landscape space of Hangzhou in the Song and Yuan dynasties also added public historical memory. The public historical memory in Hangzhou Canal poems in Yuan Dynasty is also updated with the construction of Hangzhou canal landscape in Yuan Dynasty.

The third chapter takes the perspective of the relationship between the boat space and the literary creation and the space of the discipline poem as an example. In the Yuan Dynasty，different kinds of boats commonly used in the canal basin and the river can bring different sailing experiences to the poet. The bad experience，such as turbulence，can trigger the poet's association with his own life situation，and the poet's sailing experience described in the poem can reflect the poet's understanding and thinking on the real situation. When the poet of the Yuan Dynasty sailed on the Hangzhou Canal in a boat，the poet himself integrated the boat and used "boat" to express his feelings about the natural environment of the Hangzhou Canal and convey his attitude towards life. The different meaning of the "boat" metaphor reflects the difference of the poet's creative mentality.