高跷作为汉族节日民间社火活动中的一种且歌且舞的表演艺术，广泛分布在全国各地，而各地区又具有鲜明的地域风格与民族特色，主要有北京高跷、天津高跷、辽南高跷等众多流派。北京丰台区王佐镇怪村的米粮屯高跷属北京高跷的一种。2006年为拯救即将濒临的民间传统文化，我国开展了第一批非物质文化遗产的抢救工作，北京丰台区王佐镇庄户村米粮屯同乐高跷会因其历史悠久，技艺精湛,曾受到皇帝封赏；抗战期间为革命做出了积极贡献，被纳入北京非物质文化遗产的保护名录。本文以米粮屯同乐高跷的实地田野调查为基础，对其历史沿革、民俗组织、角色扮演、风格特征等方面做了较为详细的记录，并对米粮屯高跷秧歌未来走向进行了探讨，旨在让更多的民间艺术工作者与爱好者关注并以恰当的方式保护民间艺术，为我国非物质文化遗产的保护工作尽微薄之力。

Chinese classical dance, known as Chinese traditional dance, has experienced a long history and has been permeated with the aesthetics of Chinese traditional culture since its birth. It is the embodiment of Chinese working people’s wisdom; it is the living fossil of Chinese culture and civilization. By far great changes have taken place in Chinese classical dance during the course of its development which is endowed with distinct stages and times; especially since the twenty-first century, it has been creating the era style with suddenness of the thunderbolt. The excellent works have been emerging in the frequent dancing competitions and the performances of all kinds. As an important form of presentation, the dancing works reflect the prosperity and development of the classical dance with its endless emergence. This essay will focus on the excellent Chinese classical works of the 21st century—a representing stage in the developing/development process of Chinese classical dance; summarize its characteristics of the times through the analysis of its content and form; and speculate the future direction of Chinese classical dance.