在中国传统文化中，民间剪纸艺术源于丰厚的文化传统，是中国民族传统文化和审美观念的主要展现方式之一。作为民间手工艺的剪纸凝聚了广大劳动人民的智慧，并承载了民间艺术家对幸福和美好生活的期许。库淑兰，被誉为中国民间工艺美术大师，享有“剪花娘子”之美誉，是该领域的杰出代表。她的彩贴剪纸艺术在传统文化领域具有很高的艺术价值和独特性，在世界民间艺术中独树一帜。库淑兰的剪纸作品以传统艺术形式为基础，融入了独特的新民俗特征和审美意义，突破了传统剪纸艺术中仅靠模仿来传承的创作方式，赋予民间剪纸这一艺术形式新的生命力。

本论文以库淑兰剪纸为研究主题，采用民俗学和人类学的研究方法，深入探讨库淑兰剪纸的自然和历史人文背景，解读其蕴含的民俗内涵。以现存的库淑兰剪纸作品为主要依据和研究对象，通过分类整理、归纳分析、具体案例研究等方法，总结其在造型、构图、色彩等方面的艺术特点，挖掘典型的视觉语言特征及其与民俗寓意的联系。这一理论研究不仅对库淑兰剪纸艺术价值的再次挖掘，也为当代视觉设计提供了新的视觉表现符号，既体现了对中国传统民间手工艺的科学保护，也为现代设计与传统的融合提供了理论支撑。

In traditional Chinese culture, the art of folk paper-cutting stems from a rich cultural tradition and is one of the main ways of presenting the traditional culture and aesthetic concepts of the Chinese nation. As a folk craft, paper-cutting brings together the wisdom of the working people and carries the folk artists' hopes for a happy and better life. Ku Shulan, known as a master of Chinese folk arts and crafts and known as the "Lady of Flower Cutting", is an outstanding representative in this field. Her colourful paper-cutting art has high artistic value and uniqueness in the field of traditional culture, and is unique in the world of folk art. Based on traditional art forms, Khu Shu Lan's paper-cutting works incorporate unique new folkloric features and aesthetic meanings, breaking through the traditional paper-cutting art of passing on the art by mere imitation and giving new life to the folk art form of paper-cutting.

Using folklore and anthropological research methods, this thesis explores the natural and historical background of Kusulan paper-cutting and its folkloric connotations. Using the surviving paper-cutting works of Kushu Lan as the main basis and object of study, the study summarises the artistic characteristics of Kushu Lan in terms of shape, composition and colour, and explores the typical visual language features and their connection with folklore symbolism through sorting This theoretical study not only unearths the artistic value of Kushu Lan's paper-cutting, but also provides a new symbol of visual expression for contemporary visual design, reflecting the scientific protection of traditional Chinese folk crafts and providing theoretical support for the integration of modern design and tradition.