聚焦简·奥斯汀《傲慢与偏见》的叙事视角，本文主要探讨简·奥斯汀如何运用全知视角和有限第三人称视角的结合，塑造主要人物，发展故事情节。 通过精读的研究方法，本文分析了《傲慢与偏见》中全知视角和有限第三人称视角的运用与功能。其中对两种不同叙述视角的功能分析将从人物与故事两个角度来完成。研究发现，简·奥斯汀主要在小说的前八章采用了全知视角。此种叙述视角的运用方便了作者介绍人物和背景信息，以及掌控叙述速度。从第九章开始，奥斯汀开始给予故事女主人公更多的关注，叙述视角逐渐转变为第三人称有限视角。此种叙述视角的运用便于作者揭示女主人公的情感态度，以及为男女主人公之间故事的发展制造悬念。

Focusing on the narrative points of view in Jane Austen’s Pride and Prejudice, this paper is going to explore how Jane Austen applies the omniscient narrative point of view and the limited third-person narrative point of view and the function of this combination to shape main characters and develop the story. This paper analyzes the application and function of the omniscient narrative point of view and the limited third-person narrative point of view. The function of two points of view will be analyzed from two aspects: characters and story. Through the method of close reading of Pride and Prejudice, it can be found that Jane Austen uses the omniscient narrative point of view in the first eight chapter. The application of the omniscient narrative point of view makes it convenient for the author to introduce characters and background information, and to control narrative speed of the story. And from the eighth chapter, Austen begins to focus more on the heroine and use the limited third-person narrative point of view. The application of the limited third-person narrative point of view can reveal feelings and attitudes of the heroine and create suspense of the story.