张爱玲赴美后，于一九六三年开始创作以张学良、赵四小姐为原型的英文历史小说《少帅》。《少帅》虽面世不久，相关研究较少，却是张爱玲后期创作的代表作品之一。本文以《少帅》为研究中心，探究张爱玲晚期风格及美学观的转向，试图论证《海上花列传》是张爱玲后期创作的源泉，阐明传统世情小说叙事模式和中国古典美学对张爱玲文学创作的重要影响，并依据萨义德的晚期风格理论，全面分析张爱玲晚期风格形成的复杂因素。同时，通过文本细读与文本分析，将《少帅》与具有自传色彩的《小团圆》、《雷峰塔》、《易经》进行比对，总结张爱玲后期创作的自我重写色彩，论证其通过叙事治疗纾解自我创伤。除此之外，本文通过《少帅》中可怖的性叙事，阐释女性通过性被自我异化，彻底成为“他者”的女性主义思想，探讨张爱玲作品中被父权社会所压抑的女性主体意识。

Eileen Chang has written the English historical fiction The Young Marshal since 1963, which is built on the story of Hsueh-Liang Chang and Edith Zhao. Although the amount of related research is limited, it is an eminent representative of Eileen Chang’s later works. This paper focus on The Young Marshal, exploring Late Style of Eileen Chang and a diversion of her aesthetics views，trying to claim the correspondence between Eileen Chang’s later works and the traditional novel The Sing-song Girls of Shanghai, explaining the significant impacts of Chinese traditional narrative patterns and traditional Chinese aesthetics on Chang’s works. Besides, drawing on Said’s concept of Late Style, the paper attempts to analyse complicated factors in the formation of Eileen Chang’s Late Style. Meanwhile, this paper compares The Young Marshal with Eileen Chang’s late autobiographical novels such as Little Reunion, The Fall of the Pagoda and The Book of Change through textual and intertextual readings, exploring self-rewriting in her later works. She “cured her trauma” through Narrative Therapy. What’s more, this paper analyses thrilling sexual narrative, explaining the ideas about feminism that the female is alienated through sexual intercourse and becomes “the other” of the male, studying the female subjectivity repressed by patriarchal society in Chang’s works.