巴塔耶具有多重身份，哲学家、经济学家、作家等等，“同质-异质”概念出现在他的哲学思考之中，“耗费”是他经济学理论的关键词之一，文学创作对于他而言则是对世俗世界规范彻底颠覆的乐园。国内针对巴塔耶文学创作与理论进行研究的文章并不多，而且着重点大多放在其色情描写的特征上，进而引入其哲学体系中的概念加以分析与阐释。但以色情性来表述巴塔耶的文学创作并不十分完整，色情描写在巴塔耶的文章中只是最吸引眼球的一部分，巴塔耶在文本中引入了多个具有异质性特征的意象，他希望用颠覆世俗世界秩序的事物来体现文学的意义。基于此，引入了“缺失性”原则这一概念，并以此为核心对巴塔耶的文学创作理念进行梳理，可以对巴塔耶的文学创作研究进行创新与补充。 本文的第一部分对国内巴塔耶研究进行了文献综述，对“缺失性原则”进行了介绍，在《耗费的观念》一文中巴塔耶提出了这一概念，本文另对这一概念所涉及到的“同质-异质”、“耗费”进行了简要的陈述。 第二部分从“缺失性”原则的三个层面的阐释出发：从文本描写层面，巴塔耶选择的是具有堕落、恐怖特征的独特意象，如《眼睛的故事》中的眼球、《腐烂的太阳》中的太阳等；从写作理念层面，巴塔耶提出文学是对圣性敞开的瞬间的模拟，是通过“献祭”场景呈现理念中的真实，在《太阳肛门》中他也阐述了自己的观点：世界万物是一种“拙劣”的模仿，我们需要通过文学的反射来消除幻象，寻找真实；从思想意义层面，巴塔耶将具有缺失性特征的事物纳入具有圣性意义的场景，在最接近“无意义”的时刻超越世俗世界，打破了同质化过程的壁垒，解放了个体的自主性。 第三部分对巴塔耶文学创作的“缺失性”特征进行溯源，并阐释了以此原则来分析巴塔耶的作品的意义，即能够更充分的将文学与其总体思想体系结合在一起，能够更充分的理解巴塔耶作品的语言风格与内容特色。

Bataille has multiple identities: a philosopher, an economist, an author… It’s difficult to identify him in a certain position. Homogeneous- Heterogeneous are important notions in his philosophical theory. Expenditure is one of the key words in his economics theory. Literature is more like a fun garden in which he could subvert the rules of the profane society. He expressed most of his irrational emotions in literature, and finally found his way out of desperation here. Literature is more like the last hope in an adult world which is full of utilitarian aims, but the loss just break the chain of the plan. There are not so many researches on Bataille’s literature in China. Most of these papers focus on the pornography parts in Bataille’s works, then analyze with the philosophical concepts in Bataille’s system. Although the pornography parts are the most prominent features, it won’t be complete to interpret Bataille’s literature just by digging this point. He introduced many heterogeneous imageries which were used to overturn the regular rules in the profane society to highlight the meaning of literature. The principle of loss is led into this paper as a key word to analyze the novels and poems and so on. The first part of this paper includes the review of the internal literature of Batille, the introduction of the principle of loss which was rose the in The Conception of Expenditure. To deeper understand the loss principle, the introductions of the Homogeneous- Heterogeneous, Expenditure are necessary. The second part of this paper contains three aspects interpreted by the principle of loss: firstly, from the description aspect, Bataille choose the imageries with degeneration, like the eye balls in The Story of The Eye, the sun in The Rotten Sun; secondly, from the practice aspect, Bataille raise the point that literature is an imitation which opens the gate to the sacred world, it shows the truth in a sacrifice scene. In The Solar Anus, he pointed out that the world is purely parodic, so we need to dispel the delusion and find out the real world through the reflection of literature; thirdly, from the significance aspect, the unique imageries are the way to resist the profane society, the time when we attains the meaningless is the moment which relieves autonomy. The third part of this paper is to research the resource of the loss in Bataille’s literature, and make the value of using this principle clear. It makes us easier to combine his literature with the thoughts in other aspects, to fully understand the characteristics of his literature theory.