明末清初的著名书法家王铎具有卓越的书法成就，在中国书法史上拥有崇高的地位，无论在国内或者是国外，其影响都甚为巨大。王铎以其娴熟之书法技法、雄健之笔力、奔腾之气势，挥写出难以匹敌的章法布局，在条幅、立轴的作品中开启了草书艺术的新境界。时至今日，在许多书法展览中，仍有许多受到王铎风格影响深远的行草书作品。至今，虽然关于王铎的相关研究论述不在少数，但聚焦在王铎的草书作品且能深度探索相关问题的学术成果，目前仍不多见。有鉴于此，以王铎的草书作品作为研究对象，书学界需要对王铎的草书艺术继续予以深入研究。
　　王铎在诗、书、画诸方面均表现出卓越的天赋，以其成就高低而论之，分别为书法、诗歌、绘画。而其一生的作品是数量多质量高。王铎认为若要学习古人书法之道，其最重要的关键是在于比较辨别古今书法在“结构”的差异。王铎书法擅长篆、隶、楷、行、草等各体，诸体皆有传世作品。其最大贡献是在大轴长卷立轴之中书写出奔腾豪宕、恢弘飘逸之风格的行书和草书。此两者作品传世甚多,影响力也极大，而草书也最能代表其艺术创作的巅峰水平。
　　本研究在绪论中，将研究的缘起、研究现状、研究方法、研究限制、研究范围、研究章节架构加以说明。第一章则主要讨论王铎生活的时代背景及当时书风发展。明末草书盛行与皇室之关联与当时政治、社会经济发展对文人书家之影响以及晚明时期草书风格的变革的内在原因。第二章深入讨论王铎生平背景及其书风渊源。以王铎少时临习学书到从政经历作为其一生遭遇的轴心，对其性格、交游、阅历予以探讨，揭示王铎书风形成之原因。
　　从王铎师承渊源，探讨王铎与传统之间的承继关系。第三章探讨王铎草书艺术的思想来源。从王铎在诗文、字画与鉴藏方面的修养与见解，作为书法创作理念之间的联系，对王铎草书作品收藏情况加以多层考察，对王铎书法市场的情况，尤其是草书作品尤加著墨。第四章讨论王铎与前期及当时重要草书家之比较，以突出王铎草书艺术的书法审美独特性。
　　作为对王铎艺术成就与人品道德之间关系的反思与质疑，第五章讨论了后世对王铎草书艺术的评价与其对后世草书艺术风格的影响。针对王铎草书对日本及世界其他地区的影响加以说明，并就王铎草书艺术在书法史上的地位进行分析。在本论文的最后，第六章回顾全文，尝试将王铎书法本身的特色及影响，在我国书史上的地位予以较为客观的定位与评价。

Wang Duo, a famous calligrapher at the end of Ming Dynasty and the beginning of Qing Dynasty, has outstanding achievements in calligraphy and has a lofty position in the history of Chinese calligraphy. No matter at home or abroad, his influence is enormous. Wang Duo opened a new realm of cursive art in the works of banners and vertical axes with his skillful calligraphy techniques, vigorous strokes and surging momentum, and with his unrivalled composition layout. To this day, in many calligraphy exhibitions, there are still many works of cursive script that are deeply influenced by Wang Duo's style. Up to now, although there are not a few related studies on Wang Duo, there are few academic achievements focusing on Wang Duo's cursive works and in-depth exploration of related issues. In view of this, Wang Duo's cursive works are taken as the research object, and the calligraphers need to further study Wang Duo's cursive art.
　　Wang Duo showed outstanding talent in poetry, calligraphy and painting. According to his achievements, they are calligraphy, poetry and painting. His works in his whole life are many in quantity and high in quality. Wang Duo thought that if he wanted to learn the way of ancient calligraphy, the most important thing was to compare and distinguish the differences in "structure" between ancient and modern calligraphy. Wang Duo's calligraphy is good at seal, Li, Kai, Xing, Cao, etc There are handed down works in every body and every body. Its greatest contribution is to write running script and cursive script in the style of galloping, magnificent and elegant in the long scroll of the big axis. These two works are handed down a lot and have great influence, and cursive script can best represent the peak level of its artistic creation.
　　In the introduction of this study, the motivation, purpose, research status, research methods, research limitations, research scope and research chapters are explained. The first chapter mainly discusses the background of Wang Duo's life and the development of calligraphy style at that time. The relationship between the prevalence of cursive script and the Royal family, the influence of political and social economic development on literati calligraphers at that time, and the change of cursive script style in late Ming Dynasty The second chapter discusses the background of Wang Duo's life and the origin of Wang Duo's style of writing. It takes Wang Duo's experience of studying in politics as the axis of his life experience, discusses his character, friends and experience, and reveals the reasons for the formation of Wang Duo's style of writing. It discusses the inheritance relationship between Wang Duo and tradition from Wang Duo's origin of learning. The third chapter discusses Wang Duo's thoughts of cursive writing. The fourth chapter discusses the comparison between Wang Duo and the important cursive calligraphers at that time, in order to highlight the unique aesthetic of Wang Duo's cursive calligraphy.
　　As a reflection and query on the relationship between Wang Duo's artistic achievements and moral character, Chapter Five discusses the evaluation of Wang Duo's cursive art and its influence on the art style of future generations. It explains the influence of Wang Duo's cursive on Japan and the rest of the world, and analyzes the status of Wang duo's cursive art in the history of calligraphy. At the end of this paper, Chapter Six reviews In this paper, the author tries to objectively position and evaluate the position of Wang Duo's calligraphy in the history of Chinese calligraphy.