敦煌莫高窟作为世界级文化遗产，有极高的研究价值。本文主要以隋唐时期敦煌莫高窟“三兔共耳”图案为研究对象，从梳理图案来源、分析图案特征、剖析文化内涵展开分析。三兔共耳图案出现于莫高窟开凿的鼎盛时期，消失于莫高窟壁画图案、色彩发展的顶峰时期，本文着力探讨其图案流变的缘由，并梳理朝代更迭间该图案的发展变化过程，以及三兔共耳图案对当代美术创作与实用美术发展的影响。
本文首先对现有文献材料中三兔共耳图案的来源进行了梳理，并将其归纳为两类进行阐述，进而为研究的推进构建重要的历史脉络与背景。文章的核心部分，从形象、色彩、流变三个方面对三兔共耳图案展开美术学本体研究，进而探寻图案的独特性与演变规律。最后文章从三兔共耳图案的寓意入手，通过梳理和分析图案的象征意义与文化意涵，讨论中国文化发展和继承的价值所在，并引申至图案对当代美术的影响。

As a world-class cultural heritage, the Mogao Grottoes of Dunhuang are of great research value. This paper mainly takes the pattern of "three rabbits sharing ears" in the Mogao Grottoes of Dunhuang in the Sui and Tang dynasties as the research object, and analyzes the pattern source, pattern characteristics, and cultural connotation. The pattern of "three rabbits sharing ears" appeared during the heyday of the excavation of the Mogao Grottoes and disappeared during the peak period of the development of mural patterns and colors in the Mogao Grottoes. This article focuses on exploring the reasons for its pattern evolution, and sorting out the development and changes of the pattern between dynasties, as well as the impact of the "three rabbits sharing ears" pattern on contemporary art creation and practical art development.
This article first sorts out the sources of the three rabbits sharing ears pattern in existing literature materials, and categorizes it into two categories for elaboration, thereby constructing an important historical context and background for the advancement of research. The core part of the article conducts an art ontology research on the three rabbits sharing ears pattern from three aspects: image, color, and rheology, in order to explore the uniqueness and evolution laws of the pattern. Finally, the article starts with the symbolism of the three rabbits sharing ears pattern, analyzes the symbolic and cultural significance of the pattern, discusses the value of Chinese cultural development and inheritance, and extends to the influence of the pattern on contemporary art.