通过对多座辽金壁画墓的对比分析研究，可以发现，在契丹族、女真族、汉族等各民族文化密切交流的时代背景下，马作为比较重要的艺术元素，较高频率地出现在出行归来图、骑猎图、放牧图、马球图等不同题材的辽金墓葬壁画中。本文对相关作品进行收集与梳理，并由此推测马匹形象在墓葬壁画中出现的总体规律及其发展变化，且能够从中了解到来自不同民族、不同社会阶层的人群在不同时期的生产生活习惯。从美术史的角度观察这些作品，能够从中领会到较为多样的绘画技艺与风格特色。本文主要综合相关考古发掘报告与部分断代史、民族史、美术史方面的研究成果，对辽金墓葬壁画当中出现的马的形象进行整理与初步研究。

Through comparative analysis of multiple Liao and Jin dynasty tomb murals, it  can  be  found  that  in  the  era  when  various  ethnic  cultures,  such  as  the  Khitan, Jurchen, and Han, had close exchanges, horses appeared with high frequency as a relatively  important  artistic  element  in  different  themes  of  tomb  murals,  such  as travel and return, hunting, grazing, and horse polo.This paper collects and sorts out the relevant works, and thus speculate general rules and changes of horse images in the tomb murals, and we can understand the production and living habits of people from    different    ethnic    groups    and    different    social    classes    in    different periods.Observing these works from the perspective of art history, diverse painting techniques   and   stylistic   features   can   be   appreciated,   and   similarities   with contemporary  handed-down  paintings  can  be  discovered.  This  article  mainly integrates archaeological excavation reports and research results from some aspects of  ethnic  history  and  art  history  to  sort  out  and  conduct  preliminary  research  on horse images in Liao and Jin dynasty tomb murals.