中文摘要阿中电视剧表现要素研究电视语言是一种崭新的语言，科技和工业的发展又为其提供了多种可能性和能力，表达个人、社会和国家的意向、趋势和目标。这种语言通过镜头、场景和对话来控制新闻、文化与政治宣言的基本原则，以某些可能接近现实或者与现实相似的方式形成新闻、文化与政治宣言，但与此同时，因为同时采用了直接和间接的象征物，它又暗示一些服务于正义和非正义事业的情景和动作，这些象征物可与人的感觉、心灵、情感和理智进行对话，图像或者镜头通过某个角度反映现实，服务于某个目标，如果再加入对话，则能够强化某种清晰的思想趋势。社会性电视剧是播出最多的、收视率最高的节目，因而，相对于其他电视剧来讲，它也是对观众影响最深的。电视剧中电视剧制作人员(television drama Mogul)，他们在电视剧内容里提供了一些经选择的价值观，他们致力于使观众获得享受。说服的形式可以有效发挥影响观众价值观的功能。当电视剧作品里电视剧制作人员忽视了电视剧中构图元素所象征的含蓄意义，无论是与内容元素相关的，还是涵盖电视剧创作元素（含故事、人物、情结、事件等，或者结构元素，含与艺术形式有关的元素体系。）的构图元素。这会导致发出一些错误信息，观众会予以接受并下意识地渐渐地模仿，从而破坏社会所尊重的价值观，背离价值观和道德观遗产，最终导致保守社会的道德能够沦丧，不受欢迎行为扩散，包括阿拉伯伊斯兰社会和中国社会。作为留学中国的阿拉伯研究者，第一次就中阿电视剧的比较研究进行了调查和探讨，这也是中阿电视剧研究范畴的首次尝试。在提交的论文中，主要聚焦阿拉伯和中国电视剧，研究其内容和艺术形式以及所采用的诱惑元素、悬念元素等。此外，论文还把形式和内容分别与阿中电视剧所表现出来的价值观和不受欢迎的行为联系起来。研究者试图在论文中加入探讨性的观点，这些观点有可能会成为艺术作品的未来新准则，也可能成为研究电视剧对受众的影响的新的出发点。在这篇论文中，研究者采用了多种论述方式，目的是为了得出一些有益的、富有成果的结论。研究者采用了研究者常用电视传媒研究方法，在这个框架内，又采用了内容分析方式。在描述电视剧内容中的一些意义象征物时，研究者还采用了意义分析法。研究者还采用了比较分析法，对阿拉伯和中国电视剧的形式和内容进行了分析。此外，研究者还运用了历史方法，来理解中国电视剧的形式和内容进行了分析。研究者还运用了历史梳理法，来理解中国社会的文明和道德遗产。本论文分为如下三个部分论文的总体框架（论文主题的一般步骤），本部分分为两节，包括论文主题和引用的资料源、以前的研究报告、确定论文主题和意义、论文试图回答的问题、论文的论述方式、分析研究的程序、论文抽样的选取、确定分析的内容和类别，以及确定性和真实性的验证。第二部分：论文的理论背景，分为以下：包括：新闻媒体与价值观和社会现实的关系，包括阿拉伯伊斯兰社会生活的本质和中国社会文化的本质，然后是价值观与新闻媒体的关系，包括价值观体系、价值观重要性、价值观特点、价值观获得方式、价值观职能、价值观分类、价值观的毁灭、改变价值观的方法和因素以及行为的概念。还包括通过确定媒体与社会变革的关系、电视剧对人们的影响和电视剧图像意义体系的概念以及电视剧与人们的关系，确定电视剧的文化和社会作用。还包括女性与电视剧的关系一、电视剧中女性形象在以下艺术层面所产生的影响1、构图2、灯光3、镜头二、电视剧中女性形象在心理层面所产生的影响电视剧艺术结构包括电视剧创作要素（主题、人物、对白、节奏），还包括悬念的元素、制造艺术感染力的手段和象征物。第二部分包括电视剧形式与内容的关系，主要从阿拉伯和中国电视剧的形式和构图、电视剧中的动作和角度、电视剧剪辑、镜头与人物的关系以及事物的关系、镜头中事物的相互关系、录音元素、灯光、颜色、化妆和服装等方面分别进行了阐述。第三部分：包括对阿拉伯和中是电视剧形式和内容进行分析研究的结果，然后对阿拉伯和中国电视剧形式和内容进行了比较。本部分还包括结论、研究建议、论文附件和资料源。

AbstractThe Chinese and Arab Episodes.An analysis and competitive study for the contexts and formsTV language is a very wonderful language. It is supported by industrial technology and scientific development with a several capabilities and abilities which make it a very easy language to explain incentives, goals and ideas of societies and countries.This language, through shots, words and sciences, take control of political, cultural and information addresses. But, in some cases, uses direct or indirect symbols or evidences that serve justice or injustice cases. It is a language that communicates with passion and mind at the same time. The image or shots present truth from a certain point of view, but if the word is added to this image, the idea of subject becomes clear and certain.The social episodes are the most demonstrated programs on TV. It is so popular, therefore, its effects on people are stronger than any other episodes. Consequently, the producers of such TV drama believe strongly that they are presenting precious values. They are, through such social episodes, seeking to entertain TV viewers and make them get satisfied with stands that directly affect the behavior of a person. The producers of such episodes, unfortunately, concentrate only either on the dramatic side represented in characters, plot, story itself and events or on the technical side which is represented in camera movements, sots, corners..etc. On the other hand, they ignore the context meaning that these components are carrying. Through what mentioned above, we can say that if the directors of such episodes focus only on dramatic principals of works and forget the culture, ethics, and habits of a society, this will automatically give bad habits which viewers will receive spontaneously. As a result of that the bad habits will prevail among society specially the conservative one such as Arab and Chinese societies. Through this thesis, the first of its kind in Chinese's university, the searcher tries to present a study for the form and context of such episodes in Arab and Chinese TV to discuss its contexts and technical forms as well as the attractive and seductive components used in such episodes. The thesis discusses a very significant element which has not yet been discussed by any other Chinese or Arab thesis. It draws the lights on the seductive, attractive and belonging symbols. The searcher also tries to connect the context and form elements with values and behavior that the Arab and Chinese societies are refusing. The searcher puts some opinions that may become basics for new thesis discusses the effect of technical side of episode to drama context and viewers. The searcher used different methodologies which come out with fruitful results. He uses media survey through which he analyses the contexts. He also uses the Linguistic Semantics analysis in describing symbols inside dramatic episodes. He also uses the comparative methodology to make a comparison between the context and form of Arab and Chinese episodes. He discusses the Chinese history to give an idea about Chinese civilizations and ethics. The thesis discusses three parts as follows: The first part consists of two scopes which they draw the lights on former studies it also determines the importance of this thesis and its problems, sources of evidences, methodology as well as the answers that this thesis is looking for. It also discusses chosen samples for study, determines units and analytical groups and methodology for analytical study. The second part discuses the context part of study and it consists of three chapters as follows: - The first chapter discusses the relationship between social values and media means in Islamic and Arab societies as well as social culture in Chinese society. Then it discusses the relationship between media means from the view of Muslims functions, its importance, and its feature, how to acquire values, values classifications, destruction of values and concept of behavior.The second part of this chapter discusses the social and cultural role of TV drama and that is through determining the relationship between media means and social changes; it also determines the effect of TV on people of society and TV drama relationships with people of society. The second chapter discusses the woman relations with TV drama. Firstly: The impact of woman's picture in TV drama from the technical sides:1- Composition Picture. 2- Lighting.3- Shots.Secondly: the impact of woman's picture in TV drama from psychological sides. The third chapter includes components of TV drama that represents in concepts, characters, dialogue and plot; it also includes components and forms of eagerness, attractiveness and symbols. The second part of this chapter discusses the relationship between forms and contexts, corners production in TV drama, reasons of movements between shots and its size, the joint relations between lenses and scenes size, the joint relations between shots and sizes, voice components, lighting, color, make-up and clothes used in Chinese and Arab TV drama. The third part contains a composition of analytical study for the context and form of Chinese and Arab episodes; it also contains conclusion, suggestions, appendix, and references of this thesis. The study comes out of the following important points:The episodes either it is Chinese or Arab contribute strongly on losing values among societies either the Arab or Chinese one. It spreads bad behavior among youths who is the largest section following such episodes. When people lose the social values, the social problems spread and life becomes more complicated. The directors either they are Chinese or Arabs give the character that has the beautiful face and elegant body the main role in the episodes. They do this just to attract as many viewers as they could. They try to satisfy the instincts of youth who are the main section following such seductive and beautiful characters. The youth through watching such episodes are trying to escape from the daily life problems to watch such episodes which are full of contradictions and complications and this increases the society problems. It also create contradiction in the values and personality of the viewer either he is a male or female. The Chinese and Arab directors give the form the lion's portion and they ignore the context. In other words, they do not connect the context's components with the forms, and this comes of giving a false concept that negatively affects the behavior of viewers. In some cases, it gives a public opinion on a special case which completely contradicts with the goal of the episode. The Chinese and Arab directors give the relations that join the undesired behaviors with the components of contexts and form the blind eye. This results in losing TV drama either it is Chinese or Arab the most important components that lead to its success.The Arab and Chinese directors subject the episodes to the principals of drama and they do not subject the technical principals to their drama which match up with the culture, habits, and traditions prevailing in society. They also do not discuss the daily problems that are happening in their societies. The Arab episodes do not care about religion characters, whereas Chinese never mentions it at all. We want here to say that the religious character play a very important role in prevailing values among youth. The seductive clothes that are being wore by characters especially the actress attracts the viewer instincts and lust. So the viewer stops thinking about drama conflicts between characters and starts thinking about conflicts that is occurring inside him. The most prevailed clothes in Chinese and Arab episodes are the western one and this expands the gap between the person and his cultural identity. Attractiveness is taken to be the most important components in the Chinese and Arab episodes, this leads to present the body more than any other elements which the episodes present. The Chinese and Arab directors focus on close shots, which force the viewer to the contents of such shots that are represented in body attempt. They do so to give viewers excitement that satisfies their instincts.The Chinese and Arab episodes concentrate on normal corners and this lost dramatic scenes a very important part of its movement elements. The episodes also concentrate on moving the character more than camera and character at the same time. On the other side, we find that the Chinese episodes concentrate on moving camera more than the Arabic one. The dramatic goals of such camera movements become more in Chinese episodes than the Arabic one. The Chinese and Arab episode focus on the justified movement for the dramatic character and this is an evidence of innovation in the directors. The Arab and Chinese directors take into account the targets of dramatic production and this assist the episode t keep the attention of viewer in several dramatic views. The Chinese episodes use different kinds of shots movements, whereas the Arab episodes use only one kind which is taken to be a negative phenomenon. The Arab episodes are in need for a good form, while it is a variable one in the Chinese episodes. The Arab episodes have a traditional form which makes it has less drama effect, while this style is not available in Chinese episodes. The Chinese episodes concentrate on lighting too much, while Arab directors have ignored it.The Chinese episodes use the sleet and color score styles in lighting while the Arab directors do not use it. The Chinese and Arab episodes focus on attracting sight through the lighting style they are using. The same thing with colors for they use it to attract people to the beauty of the actor. The Chinese and Arab episodes use make-up to show the beauty of the characters which make viewers concentrate too much on the beauty of these characters and forget the other components in the episode. The Chinese and Arab episodes cast shadow over short and simple dialogue and ignore the evidences of speech and its effect on receiver. The Arab and Chinese episodes ignore silence component which is taken to be the most important element in explanation and drama. The suggestions of this thesis are as follows: It is very clear that Chinese and Arab directors have the innovation means and they are very professionals in drama directory. The negatives that the searcher presents in this thesis come of different reasons which the searcher suggests to continue finding scientific and logical solutions for them.The woman is the main factor of attractiveness in most episodes and affects negatively on viewers in different level. The searcher also suggests taking care of this point to find a scientific solution for the excision use of woman as a body. It is very necessary to continue search in drama field and make it serviceable for human being. Episodes have to contribute in social and psychological settlement of human being and not make it more complicated . The drama directors must concentrate too much on how to join the undesired values and behaviors with all components of forms and contexts. In other words, the episodes must have its negative affect on increasing values among viewers.It is very important to study the attractive style that the Chinese and Arab episodes use and ability of every style on achieving better effect. The searcher suggests taking too much care on religion; for it is a very good means to attract viewer's passion and attention. The producers of social episodes must understand the effect of forms on context. The producers only take care of profits that will achieve through producing episodes and ignore the main factors of producing such social episodes. In other words, the directors only focus on the form side and ignore the positive impact on the social values and social settlement.