本文以《呐喊》和《彷徨》中的小说作品为研究对象，结合叙事学相关理 论对鲁迅小说叙述视角进行分类研究，探究鲁迅小说对传统叙述视角的突破。 鲁迅小说的叙述视角主要可分为三类，即全知视角、第一人称限制视角和第三 人称外视角。其中，第一人称限制视角较为复杂，可进一步分为双重第一人称 叙述和单层第一人称叙述。在对叙述视角进行分类讨论的基础上，可概观《呐 喊》《彷徨》叙述视角的变化，即从讲述到呈现的渐变。叙述视角的变化体现 了鲁迅对自我认识的变化。从启蒙呐喊者的优越感到知识分子的无力感，鲁迅 的心境从怀疑、悲观到绝望、反抗，不断深化对社会、人生和自我的认识。

This paper takes the novel works in Scream and Wandering as the research object, combines the relevant theories of narratology to classify and study the narrative perspective of Lu Xun's novel, and explores the breakthrough and innovation of Lu Xun's novel on the traditional narrative perspective. The narrative perspective of Lu Xun's novel can be mainly divided into three categories, namely the omniscient perspective, the first-person restricted perspective, and the thirdperson extra-person perspective. Among them, the first-person restricted perspective is more complex, which can be further divided into dual first-person narration and single-layer first-person narration. On the basis of the categorical discussion of the narrative perspective, the changes in the narrative perspective of Scream and Wandering can be summarized, that is, the gradual change from narration to presentation. The change in narrative perspective reflects Lu Xun's change in selfunderstanding. From the superiority of the enlightenment shouters to the powerlessness of intellectuals, Lu Xun's state of mind has changed from doubt and pessimism to despair and resistance, and he has continuously deepened his understanding of society, life, and self.