绪论部分：首先，考察“祝”、“颂”的本义及“祝颂”的涵义，给《全宋词》中的祝颂词做一个大致的界定，即以表达对人祝贺、祝福、祝愿、歌颂、颂扬意图为主的词作。接下来，梳理宋前祝颂文学发展的大致情况，祝颂题材存在各体文学当中，所以，当晚唐五代词体产生时，祝颂题材自然进入词体。再接下来，阐述祝颂词的研究价值，祝颂词作为文学史上的客观存在，不容忽视，从创作队伍来看，宋代染指祝颂词的词人非常多，有大家，亦有一般词人；从词体演变的历史来看，祝颂词在词史上具有独特的存在意义，在内容上突破了“诗言志”、“词言情”这一诗词分工的传统观念，在形式上，具有模式化的写作套路，亦有着突破套路的自觉追求。最后，评述祝颂词相关的最新研究成果，目前出现的关于某一阶段的祝颂词或祝颂词的某一分类，为祝颂词的整体研究提供了条件。　　正文部分：主要从两方面来研究祝颂词：前两章主要探讨祝颂词在宋代兴起的社会历史文化原因。北宋时期是祝颂词的初兴阶段，第一章根据祝颂词创作的实际情况，大致依时代顺序，探析祝颂词在北宋初兴的原因。论述了宋初鼓吹乐和诗坛唱酬风气对祝颂词写作的催化作用；宋真宗“天书”事件对祝颂词的刺激；北宋中后期党争过程中，文字之祸严重，文人因畏祸全身而写作祝颂词；北宋后期徽宗个人喜好也影响了祝颂词的创作。南宋时期是祝颂词的繁盛阶段，第二章则主要探析祝颂词繁盛的原因。因政局变化，南渡初期，抗战派以祝颂词互相激励抗金斗志，议和之风遍及朝廷后，又借祝颂词彼此互慰；蔡京专权后，全国兴起谀颂之风，一些近臣不免写作祝颂词，而隐逸派词人的祝颂词则更多沉缅于家庭天伦，有意抵制着谀颂之风；“隆兴和议” 以后，宋金对峙局面形成，但以辛弃疾为中心的文人，在群体的互相祝颂中激励着自己和同道恢复家国的理想；南宋后期，恢复事业无望，文人整体心态萎缩，在互相祝颂中，安慰着失落的灵魂。　　后两章主要探讨祝颂内容和形式方面的特点。在内容方面，主要抓住祝颂词比较突出的交际功能，根据祝颂对象不同，将祝颂词分为祝颂皇室词、祝颂朋僚词、祝颂家人词及祝颂其他词四类，探讨在作为实用文体时，词所承担的交际功能。在形式方面，根据祝颂内容的不同，将祝颂词分为歌功颂德词、寿词、贺婚词及贺生子词，力图避免简单的艺术成就高下的判断，分析祝颂词在作为交际手段时，形成自身固定的表现套路，同时，为了给祝颂对象留下突出印象，又力求在固定模式的基础上有所突破，展示出程式化中有新变的自觉追求。最后，还分析了祝颂词中艺术成就最高的一类词——辛派祝颂词的艺术成就。

In the introduction part, firstly, the dissertation reviews the basic meaning of Zhu, Song and Zhu Song. The rough definite of Zhu Song Ci in Complete Ci of the Song Dynasties, namely Ci works about celebration, blessing, wish, tribute and apotheosis. Secondly, we will analyse the situation of Zhu Song literature before the Song Dynasties, Zhu Song theme remained in all types of literature and entered into Ci when it come into being in the Later Tang and Five Dynasties. Thirdly, the studied merits of Zhu Song Ci will be expounded. Zhu Song Ci as an external exitence can’t ignore in the literary history. The writers of Zhu Song Ci are too many with masters and ordinary people. Zhu Song Ci breaks through the traditional conception of differences between poems speaking speech and ci speaking feeling. The writing formulas had their own modes and broke them consciously. Finally, it analyses the uptodate achivements of Zhu Song Ci, the researches on certain moment and sort provides condition for the whole study on Zhu Song Ci.　　In the text part, the dissertation mainly studies Zhu Song Ci by two aspects. The anterior two chapters diccuss the rising reasons of society, history and culture. The Northern Song Dynasty is the preparatory rising period of Zhu Song Ci. Chapter 1 analyses the rising reasons by the actual writing status and era sequence in the Northern Song Dynasty. The catalysis of Guchuiyue and responsory ethos in poetical forum in the Early Northern Song Dynasty will be studied. The Heavenly Books Incident stimulated Zhu Song Ci in Songzhenzong Period. In the Middle and Later Northern Song Dynasty, the disaters of letters were serious, the literators avoided diasaters and wrote Zhu Song Ci. Songhuizong liked Zhu Song Ci personally also impelled the creation. The Southern Song Dynasty was the prosperous period of Zhu Song Ci, Chapter 2 mainly analyses the prosperous reasons of Zhu Song Ci. Because the political situation has changed, the war clique promoted anti-Jin fight by Zhu Song Ci. After the ethos of making peace spread all over the court, they comforted each other with Zhu Song Ci. When CAI Jing controlled the court, a few courtier wrote Zhu Song Ci. But reclusive writers composed family relationgships theme to resist the ethos of tribute. After Longxing Agreement, the confrontment between Song and Jin Dynasty has come into being, the writers on the core of XIN Qi-ji wrote Zhu Song Ci to impel himself and fellow to resume the hometown and country. In the Later Southern Song Dynasty, the cause of resuming was hopeless, the writers all wrote Zhu Song Ci to comfort the despondent spirits.　　The last two chapters mainly analyses the connotational and formal chacters of Zhu Song. In connotation aspect, we uses the outstanding function of Zhu Song Ci and the different subjects to divide them four types: Zhu Song Ci for royalty, fellow, family and others. Ci took the intercommunication function as an applied literary type. In form aspect, we divide them praise, birthday, wedding and naissance by the difference of form, and avoid the judgement of simple artistic achievements. Zhu Song Ci has their own changeless modes as an intercommuniction technique. At the same time, the writers made neomorphic pursuit on the basic of changeless modes in order to impress to his object. Finally, we also analyses the artistic achievements of the best Zhu Song Ci---- Zhu Song Ci of Xin clique.