言意关系是中国诗学中一个永恒的话题，宋代文人认识到“言以达意”的弊端，试着将“表达型”诗歌向“浑成”转变的过程中，苏轼海南诗对陶渊明诗歌的认取与效仿，提供了多重背景下交织存在的言意关系如何作用于文本生成的范例。笔者通过对苏轼心境、经历和所处时代背景文学思想的考察，从“言不尽意”、“言以达意”、“言意浑成”三个言意关系的角度，分别对苏轼海南时期的和陶诗和自作诗进行细致的文本分析，指出和陶诗与陶诗语言观呈现的差异在于以直觉体“道”的体验论与对世界万物的“直观”之不同，而自作诗则更自由地以个人贬谪诗传统的表达方式，构建心灵的圆融诗境。

The relationship between language and meaning is an eternal topic in Chinese poetics. The literati in the Song Dynasty realized the disadvantages of "expressing meaning by words" and tried to transform "expressive" Poetry into "mixed" poetry. Su Shi's recognition and imitation of Tao Yuanming's poetry in Hainan poetry provided an example of how the intertwined relationship between language and meaning can act on text generation under multiple backgrounds. Through the investigation of Su Shi's state of mind, experience and literary thought of the era background, the author makes a detailed text analysis of Su Shi's Hetao poetry and self-written poetry in Hainan period from the perspective of the relationship between words and meanings, such as "not expressing one's meaning", "expressing one's meaning with words" and "mixing one's meaning". It is pointed out that the difference between the language view of Hetao poetry and Tao poetry lies in the difference between the experiential theory of "Tao" with intuition and the "intuition" of all things in the world, Self writing poetry is more free to build a harmonious poetic environment of the soul with the traditional expression of personal relegation poetry.