文彭是明朝中期著名书法家、篆刻家，属长州文氏一脉，文徵明长子。文彭是继文徵明后文氏家族的领军人物，在明代享有盛名。文彭书法除自幼承继家学外，还受到明中期吴中地区文人“宗法魏晋”书学观的影响，其书融合祝允明书法的特点，同时师法古人，学习王羲之、孙过庭、怀素等前贤，并在此基础上有所突破，力追“萧散”的面貌。文彭所书诸体均有作品传世，其中篆隶未离时风，多杂楷行用笔；楷书师法钟王，宽博端庄；行草则集众家之长，萧散且不失法度。文彭的书学思想主要集中于题跋和书信中，主张师古魏晋，用笔求变，强调提按对比，最终达到闲适自然的书写状态。

Wen Peng was a famous calligrapher and seal engraver in the middle of the Ming Dynasty. He belonged to the Wen family in Changzhou and was the eldest son of Wen Zhengming. Wen Peng was the leader of the Wen family after Wen Zhengming and enjoyed a high reputation in the Ming Dynasty. In addition to inheriting family studies since childhood, Wen Peng's calligraphy was also influenced by the "learn Wei and Jin" calligraphy of the literati in the middle of the Wu region in the middle of the Ming Dynasty. Its calligraphy integrated the characteristics of Zhu Yunming's calligraphy. At the same time, the ancients learned from Wang Xizhi, Sun Guoting, Huai Su and other former sages, and made breakthroughs on this basis to pursue the appearance of "natural and unrestrained". All the styles of Wen Peng's calligraphy works have been handed down from generation to generation. Among them, Zhuan Li has not left the time style, and there are many miscellaneous regular scripts to use pens; regular script calligrapher Zhong Wang is broad and dignified; the grass gathers the strengths of all families, scattered and does not lose the law. Wen Peng's calligraphy thought mainly focuses on inscriptions and letters. He advocates the ancient Wei and Jin Dynasties, using pens to seek change, emphasizing comparison, and finally reaching a leisurely and natural writing state.