空间，作为人类认知世界最基本的向度之一，体现事物之间的位置关系、距离和大小等属性，赋予每一事物以接受“此地（Here）”“此在（Dasein）”的约束。而“空间性”则是空间的抽象化，可以被视作一种从物理、几何的维度向更加社会、文化和心理维度的过渡和深化，对物质、精神、权力的产生具有至关重要的限定作用。在舞蹈艺术的理论研究和实践创作中，空间始终是无法避开的话题，由于空间并非仅仅是物质的、静态的，而是与社会、文化、心理等多元因素紧密相连的。因此，舞蹈艺术中对于这一创作材料的研究不得不提及“空间性”。

本研究立足于法国马克思主义者、社会学家昂立·列斐伏尔（Henri Lefebvre）在其《空间的生产》一书中对空间进行分析的核心理论之一——空间三元论（Spatial Ternary Theory）的研究视角，结合自身经历、观演体验，分析沉浸式演出《莫比乌斯环》如何通过物质属性的“空间实践”、精神属性的“空间的再现”、社会属性的“再现的空间”，体现出独特多元的空间性。由此可见，《莫比乌斯环》是对舞蹈创作中空间性的深刻思考和创新实践，既丰富了对舞蹈空间的认知与理解，也探索了舞蹈作品空间性表达的无限可能，为未来的舞蹈创作，甚至艺术创作提供了宝贵的启示与借鉴。

Space, as one of the most basic dimensions of human cognition of the world, reflects the location relationship, distance, size and other attributes between things, giving every thing to accept the constraints of "Here" and "Dasein". "Spatiality" is the abstraction of space, which can be regarded as a transition and deepening from physical and geometric dimensions to more social, cultural and psychological dimensions, and has a crucial limiting effect on the production of matter, spirit and power. In the theoretical research and practical creation of dance art, space, which is an unavoidable topic, often becomes one of the creative materials that dance artists love and hate. Since space is not only material and static, but is closely connected with multiple factors such as society, culture and psychology, the study of this creative material in dance art has to mention "spatiality".

This study is based on the Spatial Ternary Theory, one of the core theories of space analysis by French Marxist and sociologist Henri Lefebvre in his book The Production of Space, as the research perspective. Based on personal experience and watching experience, the author analyzes how the immersive performance "Mobius" reflects its unique and diversified spatiality through the "spatial practice" of material attributes, the "representations of space" of spiritual attributes and the "spaces of representation" of social attributes.

It can be seen that "Mobius" is a profound thinking and innovative practice on the spatial nature of dance creation, which not only enriches the cognition and understanding of dance space, but also explores the infinite possibilities of spatial expression of dance works, providing valuable inspiration and reference for future dance creation and even artistic creation.