本人于2019年有幸在北京天桥剧场观看汉堡芭蕾舞团于天桥演出的《茶花女》，震撼至极，对编导约翰·诺伊梅尔的编排手法以及《茶花女》这部作品产生了浓厚的兴趣，并决心以此作为本人的毕业选题。芭蕾舞剧《茶花女》由编导约翰·诺伊梅尔改编自同名文学作品。该舞剧中，约翰·诺伊梅尔使“舞蹈”与“戏剧”这两个艺术门类相互融合并发展，展现属于自己的创作魅力。本文将浅析芭蕾舞剧《茶花女》这部作品“舞戏相长”的编排手法，在剖析编导约翰·诺伊梅尔的个人经历后进行解析，并尝试分析在芭蕾舞剧《茶花女》中“舞戏相长”的传承与发展，从而更好地理解并感受编导约翰·诺伊梅尔精益求精的艺术追求与纯粹美好的精神世界。

The ballet "La Dame Aux Camelias" is adapted from the literary work of the same name by Dumas Minor and directed by John Neumeier. In this dance drama, the two artistic genres of "dance" and "drama" are integrated and developed, showcasing their own creative charm. This article will analyze the arrangement technique of the ballet "La Dame Aux Camelias", which is characterized by "the dance scene is mutually beneficial". By analyzing the personal experience of director John Neumeier and the arrangement technique of "the dance scene is mutually beneficial" in the ballet "La Dame Aux Camelias", we will also try to analyze the inheritance and development of "the dance scene is mutually beneficial" in the ballet "La Dame Aux Camelias", in order to better understand and feel the pure and refined spiritual world of director John Neumeier.