莫扎特创作的歌剧《女人心》是一部经典的喜歌剧，这部作品几乎是莫扎特创作生涯中最完美、最均衡的一部，在如今歌剧历史上也被认为是最杰出的喜剧之一。本论文以剧中的男中音角色古列莫的咏叹调《我们的女人总是这样做》作为主要的分析对象。

文章共分为四个部分，第一部分以介绍莫扎特生平、歌剧《女人心》的创作背景和剧情以及这首咏叹调的作品概述为主；第二部分从《我们的女人总是这样做》这首咏叹调的音乐本体入手，分析作品的曲式结构和旋律特点，并介绍古列莫这个角色的人物性格；第三部分开始着重分析作品的演唱处理和发声技巧的运用，以咬字吐字和气息的运用为切入点，注重音乐与情感的融合；第四部分通过两位男中低音大师Bryn Terfel和Rolando Panerai的演唱处理为例，进行两者的对比分析。

通过本论文的研究，结合笔者本人自己的演唱体会，总结这首作品适合的演唱技巧和方式。

The opera " Cosi Fan Tutte " created by Mozart is a classic comedy opera, which is almost the most perfect and balanced work of Mozart's creative career. It is also considered one of the most outstanding comedies in the history of opera today. This thesis takes the baritone character Guglielmo's aria "Donne mie la fate a tanti" as the main analysis object.

The article is divided into four parts. The first part mainly introduces Mozart's life, the creation background and plot of the opera " Cosi Fan Tutte ", and the overview of this aria; The second part starts with the music noumenon analysis of the aria "Donne mie la fate a tanti", analyzes the musical structure and melody characteristics of the song, and introduces the character of Guglielmo; The third part focuses on analyzing the singing and vocal techniques of the song, starting from the use of pronunciation and breath, emphasizing the integration of music and emotions; The fourth part compares and analyzes the singing processing of two male bass masters Bryn Terfel and Rolando Panerai as examples.

Through the research of this thesis, combined with the author's own singing experience, summarize the suitable singing techniques and methods for this work.