《兰亭序》历来都是文人墨客重要的师法对象，明代人对《兰亭序》的鉴藏研究与师
法，反映了《兰亭序》在明代书家心目中特殊的地位，在明代书家师法《兰亭序》，体现
了“遍友历代，归宿晋唐”的主张。明中期以祝允明、文徵明为代表的吴门书派楷开辟了
明代行书书法的新潮流，他们宗法晋唐，在守法度的同时，又力求创新，将学古与创新二
者辩证统一，他们抛弃了自明初以来不察本源的问题。文徵明与祝允明书所的《兰亭序》
反映了明代行书书法风格取向状态，对明中后期的书家竖有旗帜作用，形成了古法与时风
并存的鲜明风格。文徵明自绘及为祝允明补绘的《兰亭修禊图》又反映了明代文人墨客对
笔墨“雅”与“韵”的精神追求。

"Lanting Preface" has always been an important object of scholars, the Ming Dynasty
to the "Lanting Preface" study and practice, reflecting the "Lanting Preface" in the mind of the
special position in the Ming Dynasty calligraphers, in the Ming Dynasty ," Lanting Preface ",
reflected the "all over the generations of friends, Jin and Tang" proposition. In the middle of
Ming Dynasty, Wu Men Shu Pai Kai, represented by Zhu Yunming and Wen Zhengming, opened
up a new trend of calligraphy in Ming Dynasty. "The Preface to Lanting" by Wen Zhengming
and Zhu Yunming's books reflects the Ming Dynasty's journey The book calligraphy style
orientation state, has the banner function to the middle and late Ming Dynasty calligrapher, has
formed the ancient law and the time wind coexistence distinct style. Wen Zhengming's
self-drawing and the "Lanting Xiu Fu Tu" for Zhu Yunming also reflect the spiritual pursuit of
"elegance" and "rhyme" of pen and ink.