| 中文题名： | “三言”情爱叙事中的“媒妁”形象探讨 |
| 姓名： | |
| 保密级别： | 公开 |
| 论文语种： | 中文 |
| 学科代码： | 050101 |
| 学科专业： | |
| 学生类型： | 学士 |
| 学位： | 文学学士 |
| 学位年度： | 2021 |
| 学校： | 北京师范大学 |
| 校区： | |
| 学院： | |
| 第一导师姓名： | |
| 第一导师单位： | |
| 提交日期： | 2021-06-07 |
| 答辩日期： | 2021-05-14 |
| 外文题名： | On the "matchmaker" image in the "Sanyan" love narrative |
| 中文关键词： | |
| 外文关键词： | "Sanyan" ; Sangu and Liupo matchmaker ; maid matchmaker ; official matchmaker ; emotion ; desire ; rationality |
| 中文摘要： |
“三言”中重点叙述的男女情爱关系可大致分为两类：一类是“青年男女追求爱情”，一类是“婚后女性纵欲偷情”，由此引出两种不同性质 的中间人形象：青春活泼机智的“丫鬟侍女”和丑陋、唯利是图的“三姑六婆”。两类人物的共性在于“打破禁忌”，带领女主人公走出禁锢之地，与 男方完成“性”叙事。在这两种中介形象维度之上还有一种男性中间人—— 官吏。符号化的“青天”形象是作者理想“情教”观的化身。一般出现在“大团圆”模式、“破镜重圆”模式或“肃清两性关系”模式。“丫鬟侍女”、 “三姑六婆”、“官吏”三种形象话语表征及其语境内涵、道德倾向、价值维度上具有相异性，体现了冯梦龙思想中对“情”、“欲”、“理”的反思。
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| 外文摘要： |
The romantic relationship between men and women described in "San Yan" can be roughly divided into two categories: one is "young men and women pursuing love" and the other is "women after marriage indulge in love", which leads to two different types of middlemen Image: The youthful and witty "maid and maid" and the ugly and profitable "three aunts and six women". The commonality of the two types of characters is to "break the taboo", lead the heroine out of the confinement, and complete the "sexual" narrative with the man. Above these two intermediary image dimensions, there is also a male intermediary-official. The symbolized "blue sky" image is the embodiment of the author's ideal "emotional education" view. It usually appears in the "Reunion" mode, "Broken mirror and reunion" mode or "Clearing the relationship between the sexes" mode. The three image discourse representations of "maids and maids", "three aunts and six women" and "officials" and their contextual connotations, moral tendencies, and value dimensions are different,which reflect Feng Menglong's reflection on "emotion", "desire" and "rationality".
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| 参考文献总数： | 50 |
| 插图总数： | 0 |
| 插表总数： | 0 |
| 馆藏号： | 本050101/21037 |
| 开放日期： | 2022-06-07 |
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