在生活中，“校园”往往和 “青春” 连在一起，“校园”又总是和“朝气蓬 勃”联系在一起，又有着懵懵懂懂的爱恋的情感，让人羡叹它们的美好。而在人 类的众多情感中，爱情是一种带有强烈吸引力的让人不可自拔的情感，它永恒存 在，区别于亲情等其他情感，爱情是两个个体碰撞出来的火花，它又有友情所不 曾有的占有欲，让世间的人们对爱情趋之若鹜。

      “青春”总是蕴含着爱情以及少年懵懂的悸动，而爱情在许许多多的文学 创作中也是一个经久不衰的话题，因此不少有关爱情的文学创作总是包裹着校园 青春的外壳，影视剧创作中便有许多这种题材的故事，而这一类影视剧是日韩尤 其热衷制作的，并且其在日韩的发展也如日中天，有很长一段发展历史。

      我国在近年来掀起了关于校园青春剧的创作狂潮，虽然起步稍晚于日韩，但 发展却十分迅猛，并且出现了许多优秀的校园青春剧，除此之外，更出现了一些 去除“爱情”这一主题，专门探讨青春、家庭等主题的具有现实意义的校园青春 剧。本文分析我国 2010 年以来的青春校园剧中女性形象的变化，研究我国校园 青春剧的发展现状，并简要阐述日韩校园青春剧中的女性形象及其对我国校园青 春剧女性形象的影响。

      本文从人物形象出发，系统地分析自 2010 年以来中国校园青春剧中女性角 色的变化，并且列举出近十年中国校园青春剧中几种常见的女性形象进行系统的 分析，结合刻板印象理论和女性主义理论，对校园青春剧中女性形象设置和变化 的原因展开研究，同时也对比日本韩国的校园青春剧中的女性角色的人物设置， 分析其对我国校园青春剧女性角色设置的影响和借鉴意义。

      通过对中国校园青春剧中女性形象的分析，我将此研究成果运用到我创作的 毕业作品中，创作出校园青春剧剧本《我不是巨星》，并在此对我所创作的女性 形象进行展开分析。

In life, "campus" is often connected with "Youth", and "campus" is always connected with "vitality", and has ignorant love feelings, which makes people admire their beauty. Among the many human emotions, love is a kind of irresistible emotion with strong attraction. It exists forever, different from other emotions such as family affection. Love is the spark of collision between two individuals. It also has the possessive desire that friendship does not have, which makes people in the world rush for love.

"Youth" always contains love and the throbbing of young people's ignorance, and love is also an enduring topic in many literary creations. Therefore, many literary creations about love always cover the youth on campus, and there are many stories about this theme in the creation of film and TV plays, which are especially popular in Japan and South Korea, and in Japan and South Korea It has a long history of development.

In recent years, China has also set off a frenzy about the creation of campus youth drama. Although it started a little later than Japan and South Korea, it has developed rapidly, and many excellent campus youth dramas have emerged. In addition, there are some campus youth dramas with practical significance that remove the theme of "love" and specifically discuss the themes of youth and family. This paper hopes to analyze

the changes of female image in campus youth drama since 2010, study the development status of Campus Youth Drama in China, and briefly describe the female image in Campus Youth Drama in Japan and South Korea and its impact on the female image of Campus Youth Drama in China.

Starting from the characters, this paper systematically analyzes the changes of women's roles in Chinese campus youth dramas since 2010, and lists several common women's images in Chinese campus youth dramas in the past decade for systematic analysis. Combined with stereotype theory and feminism theory, this paper studies the reasons for the setting and changes of women's images in campus youth dramas, and also compares them with Japan South Korea's campus youth drama of the female role of the character set, analysis of its impact on our campus youth drama of the female role set and reference significance.

Through the analysis of the female images in the Chinese campus youth drama, I also apply the research results to my graduation works, and create the campus youth drama script I am not a superstar, and analyze the female images I created here.