步入21世纪，中国动画行业对于传统神话故事的重新演绎掀起了一股浪潮，随之出现了诸如《新封神：哪吒重生》《新封神：杨戬》《白蛇2：青蛇劫起》等优秀之作，这些动画作品从中国传统神话故事以及儒释道等传统思想观念中汲取创作营养，融入极具现代意识的朋克视觉风格元素，一经上映后深受广大观众的喜爱。朋克风格最早诞生于音乐领域，意在传达一种极具强烈的反叛精神。随着历史发展与演变，朋克风格逐步渗透至文学、影视、动画等领域，在不同文化语境与时代背景之下诞生出各式各样的视觉风格，本文将对“赛博朋克”、“蒸汽朋克”以及“废土朋克”三种朋克视觉风格进行概念辨析与对比，通过具体案例剖析进而总结出朋克视觉风格动画具有技术性、后末日以及伦理性的外延美学特征。
本文选取21世纪以来中国式“朋克”视觉风格相关动画作品作为研究对象，采用文本分析的研究方式，同时结合神话叙事等相关理论研究，将从中国式朋克视觉风格动画的空间美学、造型塑造、叙事模式以及文化隐喻四个维度进行详细文本分析，进而总结出中国式朋克视觉风格动画的美学特征、叙事方式以及其背后所蕴含的有关身份认同、性别想象等文化隐喻。最后，本研究将会以追光动画工作室为例来探讨中国式朋克视觉风格动画作品中有关中国“神话宇宙”世界观的打造以及神话故事原型如何进行当代化与朋克化阐释，以期能够为中国动画视觉风格的多样性献绵薄之力。

The reinterpretation of traditional mythical stories set off a wave in Chinese animation industry since the 21st century. And then there are the works: "New God: Nezha Rebirth", "New God: Out" and "Self-Snake 2. "The Robbery of the Green Snake" and other excellent works, these animated works take the nutrition from traditional Chinese myths and traditional ideas such as Confucianism, and integrate the punk visual style elements with great modern consciousness. Once hey are released, it is they are deeply loved by the audience. The punk style was first born in the music field to convey a very strong spirit of rebellion. With the development and evolution of history, the punk style has gradually penetrated into literature, film and television, animation and other fields. And there have been a variety of visual styles emerged in different cultural contexts and historical background. This article will analyze and compare the concepts of three punk visual styles: "cyberpunk", "steampunk" and "waste". Through the analysis of specific cases, it is concluded that the dynamic surface of punk visual style has the technical, post-apocalyptic and ethical epitaxial aesthetic characteristics .
The paper selects dynamic works related to visual style of Chinese-style punk since the 21st century as the research object, combines the research method of text analysis, and combines mythical narrative and other related theories. The paper carries out a detailed textual analysis from four dimensions of spatial aesthetics, modeling, narrative mode and cultural metaphor of Chinese-style punk visual style animation, and then summarizes the aesthetic characteristics, narrative mode of the dynamic aspect of the Chinese punk visual style, as well as the cultural metaphors behind it, such as the relevant identity recognition, gender imagination and so on . Finally, this study will take the Photo Chasing Motion Studio as an example to discuss the creation of the world view of Chinese "mythological universe"and how to  interpret mythological archetypes as contemporary and punk, which are in the works of Chinese punk visual style animation. through this research, we can make a contribute to the diversity of Chinese animation styles.