作为中国现代文学史上的“多面手”，李健吾不仅以独树一帜的“咀华”式批评享誉文坛，而且在戏剧创作、文学翻译、法国文学研究方面建树颇深、成就斐然，其小说创作更是受到鲁迅和朱自清的关注与赞赏。特别值得注意的是，李健吾的文学创作，尤其是小说创作，从来不是一个单向度、闭环式的文学活动，而是与他的文学批评有着深沉的、内在的、不可分割的互文关系。本文将把李健吾的小说创作与文学批评视为一个研究整体，运用西方互文性理论考察两者的关联性，在阐释其小说主题意蕴和艺术特征的基础上，挖掘小说文本中展露的批评原则，与此同时，厘清其文学批评中延续的小说审美追求。这种内在的互文关系是进入李健吾文学世界的一条重要路径，有助于认识李健吾在中国现代文坛的独特性，互文式的研究思维和视角符合李健吾小说创作和文学批评之间存在的千丝万缕、盘根错节、虽断若续的内部联系。

本文的第一章从宏观上把握李健吾在小说创作与文学批评中一以贯之的文学观念，以“人性”、“艺术自觉心”、“主体性”三个维度纵览其文艺主张与文化立场。第二章主要结合李健吾的小说文本，运用文本细读的方法，从“中西融通的语言风格”、“经典题材的另类书写”、“多方融合的叙事技巧”三个角度分析其小说创作的多重特点，并融合李健吾点评其他作家作品时的同类倾向和原则。第三章以李健吾的批评文本为研究基点，围绕其文学批评经常关注的批评对象的类别、聚焦的批评要素以及呈现的批评面貌，在跨文体的研究思路下透视其中的小说审美追求，达到以李健吾的小说创作勾连并重新审视其文学批评的价值与意义。

As a "generalist" in the history of modern Chinese literature, Li Jianwu is not only famous in the literary world for his unique "zuihua" criticism, but also has made great achievements in drama creation, literary translation and French literary research. His novel creation has been paid attention to and appreciated by Lu Xun and Zhu Ziqing. It is particularly noteworthy that Li Jianwu's literary creation, especially novel creation, has never been a one-way The closed-loop literary activity has a deep, internal and inseparable intertextual relationship with his literary criticism. This paper will regard Li Jianwu's novel creation and literary criticism as a research whole, investigate the correlation between them, excavate the critical principles revealed in the novel text on the basis of explaining the theme meaning and artistic characteristics of his novel, and clarify the continuous novel aesthetic pursuit in his literary criticism at the same time. This internal intertextual relationship is an important way to enter Li Jianwu's literary world, which is helpful to understand Li Jianwu's uniqueness in modern Chinese literature. The intertextual research thinking and perspective are in line with the inextricable, intertwined and continuous internal relationship between Li Jianwu's novel creation and literary criticism.

The first chapter of this paper grasps Li Jianwu's consistent literary concept in novel creation and literary criticism from a macro perspective, and surveys his literary and artistic ideas and cultural positions from the three dimensions of "human nature", "artistic consciousness" and "subjectivity". The second chapter mainly analyzes the multiple characteristics of Li Jianwu's novel creation from the perspectives of "Chinese and western integrated language style", "alternative writing of classical themes" and "multi integrated narrative skills", and integrates the similar tendencies and principles of Li Jianwu's comments on other writers' works. The third chapter takes Li Jianwu's critical text as the research basis, focuses on the types of critical objects, focused critical elements and critical features that his literary criticism often pays attention to, perspective the novel aesthetic pursuit under the cross stylistic research idea, so as to connect Li Jianwu's small creation and re-examine the value and significance of his literary criticism.