女性写作经过 80 年代报告文学和 90 年代个人化写作的演变，在新世纪与非虚构结缘，寻找到了女性文学发展的新方向，并诞生了一系列重要作品。这既源于二十一世纪期刊发表与评奖体系的重视，使更多非虚构女作家有了登台发声的宝贵机会，也需归功于 2011 年后大量涌现的新媒体非虚构写作平台，使非虚构向下兼容，以迅疾的传播速度和强势的扩散效应介入每个平凡个体的生活。
经过二十多年的蓬勃发展，非虚构女性写作已经逐渐衍生出独立、统一的美学品质，而在过去的研究中，学者们大多关注非虚构女性写作的作家群体、重要作品及叙事特征等方面，对非虚构女性写作的整体把握不够，也未曾将新媒体写作平台对于非虚构女性写作的发展予以充分、合理的价值评估。因而研究非虚构女性写作发展、演变的历史过程，探究变化根源的深层原因，厘清其在发展过程中蕴藏的危机与挑战便显得格外重要。
本文在绪论部分首先梳理了非虚构女性写作的历史背景，以纵向时间线为轴，回顾了 80 年代的女性报告文学和 90 年代的个人化写作，并梳理了新世纪非虚构女性写作的概况，通过对比强调非虚构女性写作在对此前二者的继承与发展外，在题材、体裁、叙事特点上呈现出的新变化。
正文的三个章节从叙事身份和调查方式的变化，到新媒体平台对作家写作方式的影响，再到非虚构女性写作美学风格上的反思，这三章构建了从实践、技术到理论和美学的递进链。
第一章先从内部出发，分析非虚构女性写作叙事主体和调查方式的变化。叙事主体指的是叙事者如何表达自我和讲述故事，调查方式指的是叙事者采取何种 调查策略来收集和呈现信息，对这两部分变化的讨论反映了非虚构女性写作在叙 事视角和表达方式上的逐渐成熟和走向多元。
第二章向外探寻，主要讨论了非虚构女性写作在新媒体环境下写作方式的变化，包括新媒体写作平台传播机制的特点和演变，以及这些变化如何影响作品的传播和接受。重点关注了大众读者在新媒体平台上的参与和影响，同时指出这些 变化给作家带来的危机和挑战。
第三章从真实性和文学性两个维度切入，聚焦于非虚构女性写作在评价标准上产生的变化。此外，还探讨了非虚构女性写作伦理的演变，强调了非虚构女性写作应具有的真诚品质和文学特性。
如何在保持创作独立性的同时，绕开商业化的圈套，积极利用互联网平台扩 大作品的传播和影响力，这是每一位在新时代进行非虚构写作的女作家都必须思考的问题。因而在结语部分，文章对前文内容进行反思，探讨近二十年来非虚构女性写作面临的问题及破局可能，以期女作家们能在更具深度和广度的社会议题上砥砺躬耕，以真实、敏感的笔触记录时代的脉动，反映当代人的生活经验和心灵历程，使非虚构女性写作在新的时代背景下继续繁荣发展。

Through the evolution from reportage literature in the 80s to personalized writing in the 90s, female writing has bonded with non-fiction in the new millennium, finding a new direction for the development of women's literature and giving rise to a series of significant works. This is partly due to the attention given to female non-fiction writers by the 21st-century publication and award system, providing them with valuable opportunities to be heard. It is also thanks to the surge of new media non-fiction writing platforms after 2011, which made non-fiction more accessible and penetrated the lives of ordinary individuals with rapid dissemination and strong diffusion effects.
I believe that after more than two decades of vigorous development, non-fiction female writing has gradually evolved into a genre with its own independent and unified aesthetic quality. Previous research, however, has often focused on scattered studies of the community of non-fiction female writers, their significant works, and narrative features, lacking a comprehensive grasp of non-fiction female writing. Moreover, there has not been sufficient and reasonable evaluation of the value that new media writing platforms bring to the development of non-fiction female writing. Therefore, researching the development and evolution of non-fiction female writing, exploring the deep-rooted reasons for its changes, and clarifying the crises and challenges encountered during its development are particularly important.
This paper first outlines the historical background of non-fiction female writing in the introduction, using a vertical timeline to review the reportage literature of the 80s, the personalized writing of the 90s, and provides an overview of non-fiction female writing in the new century. By comparing, it emphasizes the new changes in themes, genres, and narrative characteristics in the inheritance and development of non-fiction female writing from the previous two decades.
The first chapter analyzes the changes in the narrative subject and investigation methods of non-fiction female writing from the inside. It starts with the transition of narrators from having a strong sense of subjectivity to gradually fading subjectivity.
Additionally, the writing community has expanded, especially with the rise of non- professional writers on new media platforms. The methods of investigation in non- fiction have also changed, moving from traditional field research to deep frontline identity changes. These changes reflect the gradual maturity and diversification of non- fiction female writing in narrative perspectives and modes of expression.
The second chapter explores external aspects, discussing the changes in dissemination and writing methods of non-fiction female writing in the new media environment, including the characteristics and evolution of dissemination mechanisms on new media writing platforms, and how these changes affect the dissemination and reception of works. It focuses on the participation and impact of the general readership on new media platforms, while highlighting the crises and challenges these changes pose to writers.
The third chapter delves into the dimensions of authenticity and literariness, focusing on the changes in evaluation standards for non-fiction female writing. It also discusses the evolution of the ethics of non-fiction female writing, emphasizing the sincerity and literary characteristics that non-fiction female writing should possess.
How to maintain independence in creation while avoiding the traps of commercialization and actively using internet platforms to expand the dissemination and influence of their works is a question that every non-fiction female writer in the new era must consider. Therefore, in the conclusion, the paper reflects on the content discussed earlier, exploring the problems faced by non-fiction female writing in the past two decades and the potential solutions, in hopes that female writers can continue to refine their work on deeper and broader social issues. With authentic and sensitive strokes, they can record the pulse of the era, reflecting the life experiences and spiritual journeys of contemporary people, allowing non-fiction female writing to continue to thrive in the new era.