本文借助重新审视《镜花缘》和《山海经》的关系，对《镜花缘》叙述视角的陌生化和讽刺性进行阐释。论文首先聚焦于作为比较对象的异域各国，通过分析文本的对应关系，探究《镜花缘》在《山海经》基础上神话体系和地理空间的建构，进而发掘《镜花缘》在叙述视角上的特殊性，经由分析建构的特点，对陌生化的内涵和陌生化在《镜花缘》中的表现进行探讨。随后选取读者的角度，在纵向的时间跨度上进行对陌生化视角的详细分析，探究陌生化对于作者和读者的独特意义，指出《镜花缘》的讽刺性。最后从神话故事中概括《镜花缘》创作透露出的时代特点，而作者理想主义的建构和现实社会的对比构成了讽刺性的根源。

By re-examining the relationship between "Flowers in the Mirror" and "The Classic of Mountains and Seas", this paper explains the strangeness and irony of the narrative perspective of "Flowers in the Mirror". This paper first focuses on the foreign countries as the object of comparison, explores the construction of the mythological system and geographical space of "Flowers in the Mirror" on the basis of "The Classic of Mountains and Seas" by analyzing the correspondence of the text, and then explores the particularity of  "Flowers in the Mirror" in the narrative perspective, and discusses the connotation of defamiliarization and the performance of defamiliarization in "Flowers in the Mirror" by analyzing the characteristics of construction. Then, from the perspective of the reader, this paper conducts a detailed analysis of the perspective of defamiliarization on the longitudinal time span, explores the unique significance of defamiliarization to the author and readers, and points out the irony of "Flowers in the Mirror". Finally, the characteristics of the times revealed in the creation of "Flowers in the Mirror" are summarized from the mythological stories, and the author's idealistic construction and the contrast between the real society constitute the source of irony.