20世纪末兴起的上海怀旧热与当代中国的社会转型与文化形构交织并起，在回眸与想象中延展了沪上风景的生命线，王安忆的《长恨歌》正是这全球化时代视景下上海书写的典范之作。本篇论文主要在文本细读的基础上，结合文化研究，从符号学的角度再次透视《长恨歌》与上海的所指关联，通过符号群的观察与回溯摸索都市寓象和城市话语背后的放纵与规制，寻找老上海故事里被重新开掘的“摩登”与“诗意”，索解“旧上海”形象谱系中的性别政治、隐匿的历史经验及文化心理。

 The nostalgia fever in Shanghai, which rose at the end of the 20th century, interweaved with the social transformation and cultural formation of contemporary China and extended the lifeline of Shanghai scenery in Retrospect and imagination. Wang Anyi's “song of everlasting regret” is a typical work of Shanghai under the background of globalization. Based on the close reading of the text and the cultural research, this paper attempts to re-examine the referential relationship between the “song of everlasting regret” and Shanghai from the perspective of semiotics, explore the indulgence and regulation behind the urban image and urban discourse through the observation and retrospection of the symbol group, so as to find out the "modern" and "poetic" in the story of old Shanghai and understand the gender politics, hidden historical experience and cultural psychology in the image pedigree of the city.