林语堂是中国现代著名作家、翻译家、语言学家，是新道家的代表人物。 他不仅在文学和翻译方面卓有成就，在书法和书法理论研究方面也独有建树。 在书法理论方面，林语堂虽然没有形成完整的书法理论体系，但是他在文中 提出的观点，给后辈的研究提供了一个独特的视角，开拓出崭新的思路。林 语堂谈论书法的文字主要集中于《吾国与吾民》《生活的艺术》《苏东坡传》 中，在后人的评传和其自传中也有书法方面的探讨。本文将立足于近现代的 大环境大背景下进行思考，力图从“书法灵感来源于自然”“书法具有曲线 动态美”“书法中具有游戏精神”三方面入手具体阐释其书法观，探讨其书 法观的独到之处，并阐释对当代书法的启示意义。

Lin Yutang is a famous modern Chinese writer, translator, linguist, is the representative of the new Taoist. He is not only in literature and translation of outstanding achievements in calligraphy and calligraphy theory research also unique achievements. In the theory of calligraphy, Lin Yutang did not form a complete calligraphytheorysystem, but heproposedinthetextoftheuniquepoint of view, to the younger generation of research provides a unique perspective, to develop a new way of thinking. Lin Yutang talk about the calligraphy of the text mainly concentrated in the "my country and my people", "the art of life", "Su Dongpo biography" in the later commentary and his autobiography also calligraphy aspects of the discussion. This paper will be based on the background of the modern environment to think, trying to "calligraphy inspired by nature", "calligraphy with a dynamic curve", "calligraphy with the spirit of the game" three aspects of the specific interpretation of its calligraphy, Its calligraphy view of the unique,and explain the significance of contemporary calligraphy.